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Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge. From the season's newfound artistic inclinations, to some "fringe benefits," we have distilled the best-of-the-best from The City of Lights.

Click through the slide show to enjoy the feast Bon Appetit!

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Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge.

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DEC 16, 2013

Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge.

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DEC 16, 2013

Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge.

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DEC 16, 2013

Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge.

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Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge. With the longest line-up of presentations (beating out even NYFW) and arguably some of the largest scale productions, there’s a LOT to take in. From the season’s newfound artistic inclinations, to some “fringe benefits,” we’ve distilled the best-of-the-best from The City of Lights. With the longest line-up of presentations (beating out even NYFW) and arguably some of the largest scale productions, there’s a LOT to take in. From the season’s newfound artistic inclinations, to some “fringe benefits,” we’ve distilled the best-of-the-best from The City of Lights.

Click through the slide show to enjoy the feast Bon Appetit!

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DEC 16, 2013

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Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge.

Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge.

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DEC 16, 2013

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Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge.

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DEC 16, 2013

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Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge.

Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge.

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DEC 16, 2013

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Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge.

Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge.

DEC 16, 2013

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"His mini cocktail dresses were sliced off to be worn over black trousers."
DEC 16, 2013

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Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge.

Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge.

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Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge. From the season's newfound artistic inclinations, to some "fringe benefits," we have distilled the best-of-the-best from The City of Lights.

Click through the slide show to enjoy the feast Bon Appetit!

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Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge. From the season's newfound artistic inclinations, to some "fringe benefits," we have distilled the best-of-the-best from The City of Lights.

Click through the slide show to enjoy the feast Bon Appetit!

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Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge. From the season's newfound artistic inclinations, to some "fringe benefits," we have distilled the best-of-the-best from The City of Lights.

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"Anchoring the month of fashion weeks is no easy feet, but Paris has never shied away from the challenge. With the longest line-up of presentations (beating out even NYFW) and arguably some of the largest scale productions."

Sebastian Werra

  • MAGAZINE PAGES

    The savoir-faire of these beauty professionals inspired Dior to create Backstage Pros, expert products conceived to recreate the make-up used in the shows.

    And for both - Christian Dior in 1947, Raf Simons today - a modern vision of woman, in step with her time. For Raf Simons, it's a question of attitude, which is why the models in his first collection, in July 2012, walked with their hands in their pockets, seeking to show that haute couture isn't a rigid and untouchable form of fashion. His mini cocktail dresses were sliced off to be worn over black trousers, and the long electric blue panels of a bustier floated behind just as a scent trails a women. Thecollection contained a persistent memory of Christian Dior, and in it could be found his passion for flowers, his love of color, and his legendary Bar jacket - though with everything being incredibly modern.

    And so this is how the language was so quickly laid down, a way for Raf Simons to speak Dior, in a way resolutely his own and yet wholly respectful of the master. The first ready-to-wear show, a few months after the first haute couture one, redefined the female wardrobe of today. Floral motifs lent delicacy to the techno fabrics of evening dresses. The silhouette of the Bar jacket, with its nipped waist, rounded shoulders and hips exaggerated.

  • INOVATIONS

    A little under two years ago, Raf Simons was named Creative Director of the house of Dior. The most modern of designers and the most luxurious and desirable house came together in the same artistic impulse: and it promised a revolution in the world of fashion, just as the New Look had engendered when Christian Dior presented his first collection, on the 12 February 1947. The two man share the same passions for contemporary art and architecture.

    And for both - Christian Dior in 1947, Raf Simons today - a modern vision of woman, in step with her time. For Raf Simons, it's a question of attitude, which is why the models in his first collection, in July 2012, walked with their hands in their pockets, seeking to show that haute couture isn't a rigid and untouchable form of fashion. His mini cocktail dresses were sliced off to be worn over black trousers, and the long electric blue panels of a bustier floated behind just as a scent trails a women. Thecollection contained a persistent memory of Christian Dior, and in it could be found his passion for flowers, his love of color, and his legendary Bar jacket - though with everything being incredibly modern.

    And so this is how the language was so quickly laid down, a way for Raf Simons to speak Dior, in a way resolutely his own and yet wholly respectful of the master. The first ready-to-wear show, a few months after the first haute couture one, redefined the female wardrobe of today. Floral motifs lent delicacy to the techno fabrics of evening dresses. The silhouette of the Bar jacket, with its nipped waist, rounded shoulders and hips exaggerated.

  • THE HOUSE

    The savoir-faire of these beauty professionals inspired Dior to create Backstage Pros, expert products conceived to recreate the make-up used in the shows.

    And for both - Christian Dior in 1947, Raf Simons today - a modern vision of woman, in step with her time. For Raf Simons, it's a question of attitude, which is why the models in his first collection, in July 2012, walked with their hands in their pockets, seeking to show that haute couture isn't a rigid and untouchable form of fashion. His mini cocktail dresses were sliced off to be worn over black trousers, and the long electric blue panels of a bustier floated behind just as a scent trails a women. Thecollection contained a persistent memory of Christian Dior, and in it could be found his passion for flowers, his love of color, and his legendary Bar jacket - though with everything being incredibly modern.

    And so this is how the language was so quickly laid down, a way for Raf Simons to speak Dior, in a way resolutely his own and yet wholly respectful of the master. The first ready-to-wear show, a few months after the first haute couture one, redefined the female wardrobe of today. Floral motifs lent delicacy to the techno fabrics of evening dresses. The silhouette of the Bar jacket, with its nipped waist, rounded shoulders and hips exaggerated.

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